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FRUIT OF KNOWLEDGE

WIN Gallery invites you to a playful, surprising yet deeply profound journey in search of the “Fruit of Knowledge”

“Knowledge is power” but “ignorance is bliss”, the common lore says. These competing views have fundamentally shaped human history, social structures and personal choices. Unlike other philosophical bifurcations, this one can singularly influence what we use as our life navigation tool. It is perhaps the greatest determinant of who we become, the norms we challenge, the lands we set foot on and the values that give color to our experiences.

Mythical and mystical, the origins and scope of knowledge have an irresistible appeal for the human mind. The impetus to ask not only “how” but “why” opens intriguing and nuanced debates, in which belief and perception blend with fact in generating hypotheses.

Marijana and Relu Bițulescu, the two brilliant artists that WIN Gallery is proposing to the public, approach the topic with varied techniques, from multiple angles. Drawing from their academic training – textile art and monumental art, respectively – they complement each other naturally, seamlessly alternating materials, textures and the use of space.

Intellectually resourceful, they reframe legendary, religious and historical figures, raising new questions. They do so in subtle ways, not to shockingly provoke but to evolve the understanding of the viewer. Irony and a certain playful note are visible in many of their works without ever trivializing the subject or altering its relevance.

The cultural references used by Marijana and Relu Bițulescu are wide-ranging, spanning from Ancient Greece and Ancient Egypt to the Byzantine empire and the Iberian Penninsula. They represent a testimony to the cosmopolitan and erudite character of this collection. At the same time, many are also a nod to the multi-layered identity of our own nation.

The exhibition curator, Ms. Marinela Măntescu Isac, structured the display of works in a way that follows not only aesthetic criteria but the logic and emotion of the message. “Fruit of Knowledge” is an invitation to contemplate complex issues in a vibrant, uplifting, hopeful light. It proposes a balanced way of rewriting convention, acknowledging its roots and learning its lessons. It highlights the power of knowledge and alludes to the menace of power without it.

There is no more appropriate time to expand education than now. The conclusions we reach and the discoveries we make may not always be comforting, but a prosperous society, morally and materially, depends on that. The “Fruit of Knowledge” may have led to the fall from Paradise but it is likely the only way back to it.

Cristian Pascu – Patron of the Arts
Irina Stoenescu – Chairlady
Catalin Guriță-Manole – Director of Experience

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MARIJANA BIȚULESCU
Bucharest
PORTAL – haute lisse, 175 x 80 cm, 2016

 

Since 1979 to present exhibiting tapestry, textile collage, embroidery, textile miniature and painting at major salons, exhibitions, biennials and triennials of decorative arts.
Experience of 25 years in the textile print industry, clothing design.

Between 2011 and 2021 she was curator of the National Textile Miniature Salon.

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MARIJANA BIȚULESCU
Bucharest
HOURGLASS – haute lisse, 180 x 75 cm, 2018

 

Personal exhibitions: 1991 Căminul Artei Gallery, Bucharest | 1993 Velp, Holland | 1996 Rennes, Redon, France | 2003 "Déjà vu", Simeza Gallery, Bucharest | 2011 "Stairway to heaven", Simeza Gallery, Bucharest | 2015 "Between Worlds", Simeza Gallery, Bucharest | 2015 Orizont Gallery, Bucharest | 2017 Orizont Gallery, Bucharest | 2017 Craiova Art Museum | 2018 Mogoșoaia Palace Cuhnia | 2025 The National Museum of the Romanian Peasant.

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MARIJANA BIȚULESCU
Bucharest
AXIS MUNDI – mixed technique, 490 x 125 cm, 2024

 

Group exhibitions: 1990 Romanian Art, Brussels, Paris | 1991 Les artistes à la Bastille, Paris | 1999 Romanian Art Exhibition, Strasbourg | 2001 Romanian Art Exhibition, Beirut, Lebanon | 2005 Romanian Art Exhibition, Istanbul, Turkey | 2006 Romanian Art Exhibition, Toulouse, France | 2014 International Tapestry Triennial, Novi Sad, Serbia | 2017 International Tapestry Triennial, Novi Sad, Serbia | 2018 Biennial, Balcik, Bulgaria | 2019 International European Tapestry Triennial, Artapesty5, Arad, Arad | 2019 International Textile Art Biennial, Belgium | 2019 Art & Design Biennial, Florence, Italy.

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MARIJANA BIȚULESCU
Bucharest
CULTURAL MIGRATION IV – mixed technique, 105 x 90 cm, 2024

 

Awards and nominations: 2016 The UAP Award for tapestry | 1994 Special Jury Prize awarded by the Ministry of Culture and Bucharest City Hall for decorative art at the centenary exhibition N. Tătarescu | National and international awards in the field of printmaking and clothing design | 2019 Fiber art award at the Art & Design Biennial, Florence | 2019 UAP Award for Textile Arts, Decorative Arts Biennial | 2020 Excellence Award, Decorative Arts, Ion Andreescu Biennial, Buzău | Award (mention) at the Decorative Arts Biennial, Chisinau.

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MARIJANA BIȚULESCU
Bucharest
ANNUNCIATION – haute lisse, 190 x 77 cm, 2017

 

Works in private collections: Romania, France, Japan, Canada, The Netherlands, Germany, Spain, Greece and USA, also in the collection of Craiova Art Museum, Romanian Literature Museum.

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MARIJANA BIȚULESCU
Bucharest
WINGS – haute lisse, 140 x 77 cm, 2018

 

The artist’s works have a kind of stillness, as if, in their overflowing light, there are transparent wings that you can only see because of some traces of quivering.
Alexandra Crăciun, „Imaginarium – the world of the unseen”, excerpt from the art catalogue Imaginarium – Marijana & Relu Bițulescu, 2025, p. 4.

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MARIJANA BIȚULESCU
Bucharest
ANNUNCIATION – haute lisse, 150 x 120 cm, 2016

 

Because what Marijana Bitulescu constructs is touched by a gift of the ineffable that makes matter levitate.
Alexandra Crăciun, „Imaginarium – the world of the unseen”, excerpt from the art catalogue Imaginarium – Marijana & Relu Bițulescu, 2025, p. 4.

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MARIJANA BIȚULESCU
Bucharest
BETWEEN HEAVEN AND EARTH – mixed technique, 220 x 100 cm, 2022

 

The light-forms follow one another vertically and will penetrate beyond the black doors with small central light slits that signify the transition from earth to sky.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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MARIJANA BIȚULESCU
Bucharest
GEOMETRIC MIGRATION – haute lisse, 170 x 135 cm, 2017

 

You need to look in concentration to penetrate the “world of the unseen”, to penetrate the layers of memory, to observe the emotional sediments that lie beneath the surface.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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MARIJANA BIȚULESCU
Bucharest
CONSTRUCTION – haute lisse, 123 x 100 cm, 2017

 

The artist also resorts to other ways due to a rich creative imagination, with pictorial effects on the surfaces of the works.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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MARIJANA BIȚULESCU
Bucharest
INFANTA WITH THE DOG – haute lisse, 140 x 120 cm, 2017

 

Marijana Bițulescu seems to have a few defining recurrences, otherwise mobile, always on the search, probably surrounded by Relu Bițulescu’s tireless experiments.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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MARIJANA BIȚULESCU
Bucharest
THE OVERCROWDED CITY – collage with painting, 180 x 95 cm, 2024

 

Even though Marijana Bițulescu resorts to signs, to essentialized forms, to calligram-forms to the point of abstraction, the human presence is still recognizable, as we see in “The Overcrowded City”.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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MARIJANA BIȚULESCU
Bucharest
TOSCANA – haute lisse, 160 x 120 cm, 2017

 

Here, the ephemeral, the transitory insinuates itself nostalgically, with memories, sadness, joys, testimonies that must not be forgotten.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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MARIJANA BIȚULESCU
Bucharest
CULTURAL MIGRATION I – mixed technique, 110 x 90 cm, 2024

 

It is also a perception of the world under the ecstatic aspect of essences, converted into formal elements freed from the impurities of sensation.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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MARIJANA BIȚULESCU
Bucharest
CULTURAL MIGRATION III – mixed technique, 115 x 90 cm, 2024

 

The artist bathes wool and linen in golden threads, creating cohorts of lace characters as discreet as arches.
Alexandra Crăciun, „Imaginarium – the world of the unseen”, excerpt from the art catalogue Imaginarium – Marijana & Relu Bițulescu, 2025, p. 4.

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RELU BIȚULESCU
Bucharest
CLAIR DE LUNE – acrylic / canvas, 120 x 107 cm, 2024

 

From 1981 up until today he has participated in official exhibitions and salons in Romania with painting, graphics and decorative art. His graphic art includes theater posters, program booklets, concerts, CD-DVDs, book graphics, art albums such as Horia Damian or Caragialiana, catalogs and leaflets.

Between 2011 and 2021 he was curator of the National Textile Miniature Salon.

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RELU BIȚULESCU
Bucharest
THE GOLDEN FOREST – mixed technique / canvas, 120 x 80 cm, 2024

 

Personal exhibitions: 1991 Căminul Artei Gallery, Bucharest | 1993 Velp, Holland | 1996 Rennes, Redon, France | 2003 Simeza Gallery, Bucharest | 2011 Simeza Gallery, Bucharest | 2015 Simeza Gallery, Bucharest | 2004 Sfi Muntenia, Bucharest | 2004 Museum of Literature, Bucharest | 2017 Craiova Art Museum | 2018 Mogoșoaia Palace Cuhnia | 2025 The National Museum of the Romanian Peasant.

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RELU BIȚULESCU
Bucharest
THE SILVER FOREST – mixed technique / canvas, 95 x 95 cm, 2024

 

Group exhibitions: 1988 Atelier 35, Baia Mare | 1988 Miniature, Toronto | 1989 Miniature, Toronto | 1990 Les Artistes à la Bastille, Paris | 1990 Romanian Art, Brussels, Paris | 1992 World Exhibition, Seville | 1999 Romanian Art, Strasbourg | 2001 Romanian Art, Beirut | 2005 Romanian Art, Istanbul | 2006 Romanian Art, Toulouse | 2009 Sun Road, Toulouse | 2018 Balcik Biennial, Bulgaria.

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RELU BIȚULESCU
Bucharest
THE BLACK FOREST 2 – mixed technique / canvas, 80 x 60 cm, 2025

 

Works in private collections: France, USA, Germany, Italy, Spain, Korea, Canada, Finland, Sweden, Belgium, Holland, Greece, Israel, Japan, Romania, and works in the collections of Craiova Art Museum, Central Military Museum – Bucharest, Romanian Literature Museum, Mogoșoaia Museum.

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RELU BIȚULESCU
Bucharest
MEMORIES FROM BIZANTYUM – mixed technique, 40 x 32 cm, 2025

 

Relu Bițulescu resorts to the figurative to express attitudes or meditations about the world, even if the figurative can become minimalist, stylized, sliding towards abstractionism.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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RELU BIȚULESCU
Bucharest
TIN BEGZADA 1 – mixed technique, 45 x 32.5 cm, 2024

 

Relu Bițulescu reveals contemporary aspects that he looks at critically, with sarcasm, as we see in works such as “Beizadele de tinichea”, for their creation resorting to painting and sculptural materials.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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RELU BIȚULESCU
Bucharest
TIN BEGZADA 2 – mixed technique, 45 x 32.5 cm, 2024
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RELU BIȚULESCU
Bucharest
TIN BEGZADA 3 – mixed technique, 45 x 32.5 cm, 2024
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RELU BIȚULESCU
Bucharest
THE LADY WITH PEARLS – acrylic / pearls / wood, 30 x 24.5 cm, 2024

 

Relu Bițulescu resorts to cultural quotations that refer, through silhouettes and colors, to the glorious period of the Renaissance, with its balanced portraits.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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RELU BIȚULESCU
Bucharest
THE PRINCESS WITH RED HAT – mixed technique / wood, 32 x 27 cm, 2025

 

But he is more benevolent to the feminine gender, painting “portraits” of young ladies in warm browns and ochres or with pearl-trimmed garments, in frontal poses with synthetic forms, then nudes in warm colors, with sensual forms, sometimes slipping slightly into irony.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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RELU BIȚULESCU
Bucharest
PROFILE WITH ORANGE HAT – acrylic / canvas / wood, 18 x 15 cm, 2025

 

Relu Bițulescu even refuses the idea of “own style”, he plays, quotes, parodies, taking from the materiality patiently processed by weavers and miniaturists in general.
Ion Bogdan Lefter, Imaginarium in two, excerpt from the art catalogue Imaginarium – Marijana & Relu Bițulescu, 2025, p. 37.

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RELU BIȚULESCU
Bucharest
THE FRUIT OF KNOWLEDGE – mixed technique, 40 x 40 cm, 2025

 

Relu Bițulescu returns obsessively to the motif of the Apple of Knowledge, because, as Pessoa also problematizes, in the bite, time unravels.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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RELU BIȚULESCU
Bucharest
REDIVIVUS – acrylic / collage / canvas, 60 x 50 cm, 2025

 

The artist has even collected twigs from the forest to enhance the realism of the work, interwoven with symbolic signs to heighten the drama.
Maria Zintz, excerpt from Imaginarium – the world of the unseen, exhibition Relu and Marijana Bițulescu*, p. 4.

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RELU BIȚULESCU
Bucharest
THE LAST SUPPER – mixed technique, 80 cm, 2023

 

He has used a variety of media, including wood and metal, keeping painting as an essential element of his work.
Ion Bogdan Lefter, Imaginarium in two, excerpt from the art catalogue Imaginarium – Marijana & Relu Bițulescu, 2025, p. 37.

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