win%3Dalliance-networking-session
win-alliance-white
win-herastrau-win-real-estate
win%20real%20estate
win-brokers-broler-bucuri-de-lux
win-brokers-white
win-tireanu-motorsport-win-alliance%20copy
win-motorport-logo-alb

A stylist of natural expression, Valentin Tănase reveals his creative force through the unveiling of the "Unreal Reality" exhibition, offering art enthusiasts the opportunity to explore his reflections and concerns for symbolism, universality, the eternity of family, and man's connection with time and nature.

 Artist Valentin Tănase during a visit to WIN Gallery, September 2025

Valentin Tănase, Don Quixote 1 (2021

Ilustrated book Legendele românilor by Valentin Tănase (2025)

WIN Gallery: The late 1970s represented a period of relative ideological thaw. As a declared fan of The Beatles, you subversively introduced the famous singers into your illustrations. What was the reaction of the government censorship control body?  

Valentin Tănase: At the time, it was very difficult to collect the band's records (they came from abroad and there were restrictions), so I enjoyed drawing them all the time. I used to "sneak" them into various publications, it was a kind of "deceiving" the censorship because, as a rule, the drawings published in the press were very carefully studied so as not to [contain] any suggestions that would somehow go against the ideology of the time. I did this in Cutezătorii, but also in the illustrations for the trilogy Povestiri istorice (Historical Stories). And the funniest part is that, although there were numerous censorship filters, no one noticed. Because they were period illustrations in which everyone used to wear beards and long hair, so I slipped them in and no one noticed. Not even when I drew Ringo Starr as a worker behind the dictator Nicolae Ceaușescu! It was a kind of childish rebellion on my part.

WIN Gallery: You have extensive experience with both genres of comics, historical and science fiction. What impression did these comics make at the time, and which do you value more from an artistic point of view?

Valentin Tănase: Comics are a kind of silent film, a dynamic description of action in which movement, energy, and tension can be observed. Although I started with historical comics, I also found myself drawn to science fiction. I have created several science fiction comics, and this year I am about to reprint one of the series I did in the 1980s in Cutezătorii magazine, which, after being edited and cleaned up to today's publishing standards, will be released as a 70-page album. And I still have fans between the ages of 30 and 50 who fondly remember these science fiction comics and who would be delighted to hear that such a reissue is planned. In fact, it's a promise I'm making for this year! 

valentin-tanase-endgame valentin-tanase-endgame

Valentin Tănase, Endgame (2021)

WIN Gallery: Have you ever felt, throughout your career, the pressure of imposed themes/ topics or the request of a creative style that was in line with the dictatorial regime and subject to censorship? Did it bother you or limit your creativity? 

Valentin Tănase: I have always been a figurative, realistic artist, in a world where everything was very clear, transparent, integrated into a real, truthful universe. But I was often faced with situations in which I had to make paintings that respected certain ideological canons. It was a kind of creative constraint. This happened to me in some illustrations, but it also happened in the case of paintings. I managed to get through [these trials] by respecting and loving the process, but also the creation itself.

WIN Gallery: How do two seemingly antithetical careers — a military career and that of a visual artist, a creator — coexist?

Valentin Tănase: They got along very well from the beginning. I was a successful illustrator for [various] publications, for the magazine Cutezătorii, but at one point I felt that what I was doing was no longer enough and that I wanted more. As it happened, I had some good friends who were artists at the Army's Fine Arts Studio, whom I visited often. They had their own special universe, their own studio where they had to do work for the Ministry of Defense and the Army, but at the same time they could also pursue their own careers with personal works. I liked this idea, and at one point, the head of this studio, who appreciated me very much — especially in light of my work on Povestiri Istorice (Historical Stories) — encouraged me to take the plunge and seek to get hired there, telling me that there was a vacancy and that perhaps I could get motivated because [that way I would have had] other opportunities. At the same time, I was having some friction at the editorial office with colleagues who were perhaps jealous of my success, and the atmosphere had become more tense. So, on one of those days when I felt more... aggrieved, I went and submitted an application to the Army's Fine Arts Studio (this was in 1983), which was immediately approved! I can say that here, in fact, I allowed my creativity to run wild and I felt that suddenly my entire career took off—in addition to illustrations, I had the opportunity to do mural painting, large-scale painting, mosaics, and, in the last 25 years, I have created large-scale sculptures, public monuments, monumental statues, things that an ordinary artist does not have the opportunity to do in a lifetime of creation. For me, this was the impetus for complete fulfillment. Perhaps I would have remained a very good illustrator, but I felt that I needed something more. 

Of course, the military universe in which I have been fortunate enough to pursue my career influenced me to a certain extent, forcing me to adopt a certain rigor, a certain discipline of thought, of programs, of work. This uniform offers a certain dignity and seriousness in how you express yourself and how you present yourself to others in public. But it did not constrain me or limit my creativity. And, as I have said before, drawing and illustration will always hold a special place in my heart, but I must admit that I also love the other things I do, and they fulfill me to a great extent; they complement each other as they always have. I can confess for sure that there is not a single day left on this Earth for me when I don't have something exciting to do, dividing my time between one art or the other, from sculpture to painting, from illustrations to drawing, even if they are varied, even if they are different, they still captivate me and keep me constantly engaged.

cei-4-cavaleri-ai-apocalipsei-valentin-tanase cei-4-cavaleri-ai-apocalipsei-valentin-tanase

Valentin Tănase, The 4 horsemen of the apocalypse (2021)

Valentin Tănase at the opening of Values and Virtues
vernissage organized by WIN Gallery 
in December 2023​​

Valentin Tănase, Kaleidoscope (2022)

Valentin Tănase, Pandora`s box (2015)

 Artist Valentin Tănase visiting WIN Gallery, with written greetings received from actress Brigitte Bardot (September, 2025)

Interview conducted by Ioana-Raluca Zamfir,
visual artist and doctor of cinema and media studies ​